Line [2010]

Sound is mostly perceived as a source coming from one point. The hearing mechanism is calibrated to localize and interpret sources and spaces in that way. Line breaks that relation by breaking up the sound at waveform level in 32 pieces. These little bits of sound, pulses of equal amplitude, are being distributed over the speakers. The effect of all this for the audience is that normal sounds become unrecognizable, and shoot through space at very high speed.